Thursday, July 12, 2012

Fog Bow on a Foggy July Morning in Castine

Fog Bow Wadsworth Cove, Castine. ME, 7/12/12

When I saw the morning fog from my bedroom window, I had a feeling it could be a good day. I dressed, grabbed my camera and headed out to Castine's Wadsworth Cove, popularly known as "the back shore". My feeling proved correct. The light and the fog were beautiful and I knew there was a potential for a "fog bow". A fog bow is a phenomenon that I first experienced last year in the very same spot.

What is a fog bow and what causes it? Here's a brief explanation from Wikipedia:
"fog bow is a similar phenomenon to a rainbow, however, as its name suggests, it appears as a bow in fog rather than rain. Because of the very small size of water droplets that cause fog—smaller than 0.05 millimeters (0.0020 in)—the fog bow has only very weak colors, with a red outer edge and bluish inner. In many cases when the droplets are very small, fog bows appear white, and are therefore sometimes called white rainbows. According to NASA: The fog bow's lack of colors is caused by the smaller water drops ... so small that the wavelength of light becomes important. Diffraction smears out colors that would be created by larger rainbow water drops."
Some of the other photos from this morning follow.
Fog Burning Off, Wadsworth Cove

Fog, Hatch Cove, Castine

Burning Off, Hatch Cove, Castine

Sun's Reflection, Hatch Cove, Castine

Rainbow Aura in Sun's Reflection, Hatch Cove, Castine

Swim Float, Wadsworth Cove, Castine

Morning Dew Web
When I got back to the house a sparklingly, dewed web caught my eye down by my garden. It was strung about 12 feet above the ground and was quite large in size. The tops of my bean poles can be seen on the right.

Here's a last look at today's phenomenal fog bow, also known as a "White Rainbow"
"White Rainbow"

Both last year and again today when I witnessed this beautiful sight there was someone on the beach that had not noticed it, until I pointed it out to them. The next time you see fog about to burn off, make sure you have the sun behind you and the fog in front of you and you just might get to see a white rainbow.

Friday, February 3, 2012

Influences and Inspirations part 1: Andrew Wyeth

Influences and Inspirations: Beginnings

Back in 1970 I was unsure of the direction of my work and experimented with abstraction, free form, gestural figure drawings, mono-printing, etc. At the time, I was involved in the day to day operation of a small retail, wholesale, and manufacturing business and could only work on my art in my spare time.
Some of my early gestural paintings hanging behind the bird sculptures of Wendy Seller, at the 91 Main St. Gallery in Rockport, MA

1970 was also the year the Museum of Fine Arts in Boston mounted a large Andrew Wyeth exhibition. I didn’t really know much about him or his work, having only seen reproductions of “Christina’s World” in books and magazines. That show changed that. I was was totally captivated by his work. I stood in front of many of the pieces nearly breathless. The drawings were astounding, the paintings amazing, and then I stood in front of “Snow Flurries” and my experience went into the spiritual or mystical realm. I was spellbound and speechless. I could barely pull myself away from that piece.
Andrew Wyeth “Snow Flurries”, Tempera, 37x48”, 1953, National Gallery of Art, Gift of Dr. Margaret I. Handy

I revisited some of the drawings and other works that had impressed me, but kept going back to “Snow Flurries.” Standing at a distance, the painting is a realistic tour de force, moving closer it is a sublime abstract painting that Rothko would envy. Until that time, I hadn’t realized how a work of art could move one so emotionally. Since that time I’ve experienced it again only rarely, in the presence of a Vermeer or visiting the Van Gogh Museum, for example.

When I got home, I picked up my sketch book and pencils and headed to the harbor, where I did the drawing that set me on the path I’ve been following ever since.

Block & Tackle, Graphite, 6x10 inches, 1970

For the next 6 years I did nothing but draw, whenever I could find the time away from my other business. I wanted to hone my skill with the pencil before moving on to paint. Once I started to paint, I found myself much more comfortable with watercolor than with oil and that is what I do to this day.

Some 27 years later, I was stopping for lunch on a photography outing to Tennents Harbor and Port Clyde. I had just finished lunch and as I walked outside I noticed an SUV with PA plates. I recognized the person sitting in the passenger seat as Andrew Wyeth himself. My heart skipped a beat. Should I go up to the window and introduce myself? I was torn. I thought people must come up to him all the time, and I decided I didn’t want to bother him, so I walked on by. As I passed by the car, I realized it was a once in a lifetime opportunity that I shouldn’t pass up even if he was less than receptive. I walked back to the window and he opened it. I told him how much his work has meant to me and what an influence it was on my own work. He smiled and was most gracious. We chatted about art and people we knew in common, including Stow Wengenroth and the Beals, for about five minutes, until his driver returned. It was then that he introduced me to Helga.

In a future post I’ll tell you how I met Stow Wengenroth, the other major influence on my work.

Stow Wengenroth, "Lobsterman's Cove", Winter Harbor, ME, 1941, 12-9/16 x 16-5/8 in.

Sunday, January 1, 2012

New Year's Eve Fireworks in Castine, ME

Happy New Year!!!
Just after midnight on New Year's Eve, after the clinking of glasses and well wishes all around, we were surprised by the loud boom of fireworks on the town dock. This is a video view of a portion of them taken from the window of our friend's house overlooking the dock. Thank you to whoever was responsible for the fireworks display. A great way to welcome the new year!